Said Adrus – Without An Empire – Ghosts Within
20 November 2014 to 20 January 2015
Curated by Maria M. Kheirkhah
Exhibition: 20th November 2014 – 20th January 2015
Private view: 20th November 2014 6.30-9pm
Said Adrus marks the centenary of World War 1 at 198 Contemporary Arts and Learning by revisiting his long standing project “Lost Pavilion”. Said’s video installation and photographic series comes amidst a backdrop of activities commemorating the first world war and highlights the contributions and presence of Indian Muslim, Sikh and Hindu soldiers and officers, reflecting on ideas relating to Diaspora, especially South Asian Diaspora in its broader context. Said says,
“I intend to introduce a personal element in the project as ‘homage’ to my late father Amumiya H Adrus, who alongside countless other South Asians, were part of the British Army during the World Wars”.
Through his artistic and archival research on the Muslim Burial Ground Said continues to highlight issues around sites, memorials, war, empire and British Asian History. It is with such intention that Said capture’s the reflective spirit of a subject that is complex and close to the heart of many in the UK.
In her poignant essay on Said Adrus’s “Lost Pavilion” Dr Amna Malik writes;
“In the light of current events and the many lives that have been lost in distant lands, both Muslim and Christian, it seems preposterous to suggest that there is any such thing as a clash of civilisations between Islam and the West, as some intellectuals might have us believe. If we examine the microcosms of life lived by people from day to day in Britain, we see considerable evidence of connections between people of different religious and ethnic constituencies. One of the enduring legacies of the Black British Arts of the 1980s is the diverse and cosmopolitan nature of those who were part of it. This cosmopolitanism embraced ‘black’ and white alike in recognition that race and racism was a product of imperial ideology and of power that encouraged conﬂict and difference by propagating dubious ideas of biological difference. This conﬂict is now present in a different way, as we are encouraged to adopt a neo-Orientalist view of Islam and the Middle East as imbued in a violent tradition antithetical to the West and yet, as Adrus’ project indicates Muslims and Islam have long been a part of European consciousness and vice-versa. In Lost Pavilion the collective impulse of the Black Arts movement of the 1980s continues in his attention to the collective contribution of Indian soldiers of diverse ethnic and religious constituencies, marked by the presence of these graves of Muslim soldiers that implies the absence of others who fought alongside them.”
Excerpt from Sites- Sights of memory and mourning By Amna Malik
20th November 2014 Private view 6pm-9pm@ 198 Contemporary Arts and Learning
3rd December 2014 1pm-5pm
An afternoon of talks and presentations exploring ideas and issues raised in this exhibition. We are joined by Dr. Amna Malik, art historian and senior lecturer, Slade School of Fine Art, UCL; Ashwani Sharma, UEL and co-editor of Darkmatter Journal; Keith Piper, artist and reader in Fine Art and Digital Media, MDX University London, Said Adrus,(artist) and Maria Kheirkhah (curator). This event is chaired by Professor Paul Goodwin, UAL.
Location: Lecture theatre, Chelsea College of Art and Design 16 John Islip St, London SW1P 4JU. This event is free but please RSVP to firstname.lastname@example.org.
17th January 2015 Artist and curator’s talk and tour of the exhibition1pm-3pm@198 Contemporary Arts and Learning
20th January 2015 Exhibition ends
What: Said Adrus, Recaptured 2014
Where: Mezzanine Gallery, New Art Exchange, 39-41 Gregory Boulevard, Nottingham, NG7 6BE
When: 8 November 2014 – 11 January 2015
Recaptured 2014 launches at New Art Exchange on Saturday November 8, from 6pm-8pm in the Mezzanine Gallery.
Talk: During the exhibition launch, Adrus will be joined by Amna Malik to discuss the wider research around this project. Amna Malik is Senior Lecturer in Art History and Theory, at the Slade School of Fine Art, UCL. Arrive by 7pm to join this free session.
For more information please go to: HTTP://WWW.NAE.ORG.UK/EXHIBITION/RECAPTURED-2014/70